Chen Yin Yen|52'|2012

Documentary, Taiwan
Language: Mandarin      Subtitle: Chinese and English

There must be something going on between them: she takes care of him day after day. He takes it for granted and never puts forth any effort. Nor is he ready to make any commitment to her. An interesting relationship involving mind-reading and wrestling. For them, love is never blind.

Chen Yin Yen’s The Way We Are is a unique and highly moving documentary that charts the relationship between a blind woman called Ningyu and a nearly-blind man called Shufeng. Theirs is a strange, shifting bond characterised by an at times uneasy ambiguity – are they just friends, or something more? Certainly, Ningyu has feelings for Shufeng, and dedicates herself to doing what she can to take care of him despite her own troubles. He on the other hand seems to only want friendship, and frequently, often cruelly, pushes her away and refuses to commit to anything further. At the same time though, he keeps coming back to her, and there’s clearly a deep-seated connection between the two of them.

The complexity of the tie between Ningyu and Shufeng is very much at the heart of The Way We Are, and the film resonates strongly as a meditation on the human need for friendship and love, and to find someone to truly connect with in this world. Emotional without being manipulative, the film has a number of very affecting scenes as it explores their relationship and issues, many of which are likely to be recognisable to the audience, and as such it goes beyond being simply about two visually impaired people and taps into something more universal – this of course is precisely the point, to ensure that Ningyu and Shufeng are not merely defined by their disabilities. It’s a deeply humanistic piece of documentary cinema as a result, and benefits from the fact that Chen Yin Yen never pushes too hard or tries to offer easy answers as to whether it’s their condition that binds them together or something else, inviting viewers to draw their own conclusions.

At the same time, it also offers commentary on the lives and treatment of blind and disabled people in modern Taiwanese society, depicting the difficulties and attitudes they face. It’s here again that Ningyu and Shufeng differ, and through capturing their experiences as well as those of various other people in a similar situation, Chen Yin Yen questions not only the way we look at less abled people, but at ourselves and our connections with each other and the world.

My Father, My Mother + They Way We Are 《日暮前的領悟》+《起風的樣子》
My Father, My Mother + They Way We Are 《日暮前的領悟》+《起風的樣子》
Time: 20:00 Date: Friday, 9th May Venue: Safra Theatre, King's College, Strand WC2R 2LS Q&A with Chen Yin Yan following screening.

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About the Director

Chen Yin Yen majored in Social Working in university and from there began exploring the many different values of human existence. He then majored in documentary filmmaking in postgraduate study, and has also been working on various theatre, dance and radio productions.

Red Hair Harbor-Family Crisis
The Way We Are